© 2019 Carsten Rojahn

/ Experience

Bungie, Bellevue, WA, USA

Senior Sound Designer & Audio Lead

 

  • Destiny 2 – Shadowkeep

  • Destiny 2 – Season of Obulence

  • Destiny 2 – Season of The Drifter

  • Destiny 2 – Season of The Forge

  • Destiny 2 – Forsaken

  • Destiny 2 – Warmind

  • Destiny 2 – Curse of Osiris

  • Destiny 2

 

I help bring to life Bungie’s audio-vision for Destiny 2 and beyond… this includes producing audio content for DLC’s and seasonal releases. My responsibilities cover all aspects of the game's audio production, including sound design creation for player weaponry, raid mechanics, missions, cinematics and marketing audio requirements on the project. I also do hands-on integration and handle lead responsibilities. 

Ready At Dawn Studios, Irvine, CA, USA

Senior Sound Designer & Audio Lead

 

  • The Order 1886

  • De-Formers

  • Lone Echo VR

 

I joined forces with the creative team at Ready At Dawn Studios to help bring to life audio for their first AAA console tile: The Order 1886. I have also been involved in the audio production for Lone Echo (VR Oculus) and Deformers, developed by the studio. My duties were broad and included, audio direction, sound design creation, feature development and integration, scripting mixing and recording.

IOI Interactive, Copenhagen, Denmark

Sound Designer

 

  • Hitman Absolution

 

I got contacted by IO Interactive for a on-site contract position to join the creative audio team to help design, record and implement sound effects for the highly acclaimed stealth franchise Hitman: Absolution. My main task on the projects included creative sound design for weapons, explosions and ambience.

Machine Games, Uppsala, Sweden

Senior Sound Designer

 

  • Wolfenstein: The New Order

 

Upon my arrival back to Europe, I moved to Uppsala, Sweden to work with a start-up game studio, by the name of MachineGames, owned by ZeniMax Media. I was able to help the studio in the early stages on consulting with audio studio equipment, sound design, implementation and audio team recruitment.

UTV Entertainment, Gainesville, FL, USA

Sound Designer

 

  • Reich (unreleased)

 

I joined a start-up game studio as in-house sound designer located in Florida, USA. We developed a truly technical ground-breaking title (Reich: Downfall) funded by the Indian UTV Ignition Entertainment group. The game did never ship! My main duties included weapon sound design, field recording and implementation.

Dynamedion, Mainz, Germany

Sound Designer

 

  • Various Projects

 

I’ve partnered with Dynamedion as a sound contractor providing audio services for national as well as international game studios in demand of audio outsourcing. I provided audio content and worked remotely with their supervision at my studios located in Munich and later Berlin on many video game titles as well as other diverse international multimedia projects.

  • LinkedIn - Grey Circle
  • Instagram - Grey Circle
  • Twitter - Grey Circle
  • Facebook - Grey Circle